Identity Theft Page 7

  And act I did. I crouched down as low as I could, Cassandra still on my back, her head sticking up above mine, and I leapt with all the strength I could muster. Even weakened, I managed a powerful kick, and in this low Martian gravity, I shot up like a bullet. Cassandra's metal skull smashed into the roof of the corridor. There happened to be a lighting fixture directly above me, and I heard the sounds of shattering glass and plastic.

  I was descending now in maddeningly slow motion, but as soon as I was down, Cassandra still clinging hard to me, I surged forward a couple of paces then leapt up again. This time, there was nothing but unrelenting bulkhead overhead, and Cassandra's metal skull slammed hard into it.

  Again the slow-motion fall. I felt something thick and wet oozing through my shirt. For a second, I'd thought Cassandra had stabbed me—but no, it was probably the machine oil leaking from the bullet hole I'd put in her earlier. By the time we had touched down again, Cassandra had loosened her grip on my neck as she tried to scramble off me. I spun around and fell forward, pushing her backward onto the corridor floor, me tumbling on top of her. Despite my best efforts, the flashlight was knocked from my grip by the impact, and it spun around, doing a few complete circles before it ended up with its beam facing away from us.

  I still had my revolver in my other hand, though. I brought it up, and, by touch, found Cassandra's face, probing the barrel roughly over it. Once, in my early days, I'd rammed a gun barrel into a thug's mouth; this time, I had other ideas. I got the barrel positioned directly over her left eye, and pressed down hard with it—a little poetic justice.

  I said, “I bet if I shoot through your glass eye, aiming up a bit, I'll tear your artificial brain apart. You want to find out?"

  She said nothing. I called back over my shoulder, "Pickover!" The name echoed down the corridor, but I had no idea whether he heard me. I turned my attention back to Cassandra—or whoever the hell this really was. I cocked the trigger. “As far as I'm concerned, Cassandra Wilkins is my client—but you're not her. Who are you?"

  "I am Cassandra Wilkins,” said the voice.

  "No, you're not,” I said. “You're a man—or, at least, you've got a man's mind."

  "I can prove I'm Cassandra Wilkins,” said the supine form. “My name is Cassandra Pauline Wilkins; my birth name is Collier. I was born in Sioux City, Iowa, on 30 October 2079. I immigrated to New Klondike in July 2102. My citizenship number is—"

  "Facts. Figures.” I shook my head. “Anyone could find those things out."

  "But I know stuff no one else could possibly know. I know the name of my childhood pets; I know what I did to get thrown out of school when I was fifteen; I know precisely where the original me had a tattoo; I..."

  She went on, but I stopped listening.

  Jesus Christ, it was almost the perfect crime. No one could really get away with stealing somebody else's identity—not for long. The lack of intimate knowledge of how the original spoke, of private things the original knew, would soon enough give you away, unless—

  Unless you were the spouse of the person whose identity you'd appropriated.

  "You're not Cassandra Wilkins,” I said. “You're Joshua Wilkins. You took her body; you transferred into it, and she transferred—” I felt my stomach tighten; it really was a nearly perfect crime. “And she transferred nowhere; when the original was euthanized, she died. And that makes you guilty of murder."

  "You can't prove that,” said the female voice. “No biometrics, no DNA, no fingerprints. I'm whoever I say I am."

  "You and Cassandra hatched this scheme together,” I said. “You both figured Pickover had to know where the alpha deposit was. But then you decided that you didn't want to share the wealth with anyone—not even your wife. And so you got rid of her, and made good your escape at the same time."

  "That's crazy,” the female voice said. “I hired you. Why on—on Mars—would I do that, then?"

  "You expected to the police to come out to investigate your missing-person report; they were supposed to find the body in the basement of NewYou. But they didn't, and you knew suspicion would fall on you—the supposed spouse!—if you were the one who found it. So you hired me—the dutiful wife, worried about her poor, missing hubby! All you wanted was for me to find the body."

  "Words,” said Joshua. “Just words."

  "Maybe so,” I said. “I don't have to satisfy anyone else. Just me. I will give you one chance, though. See, I want to get out of here alive—and I don't see any way to do that if I leave you alive, too. Do you? If you've got an answer, tell me—otherwise, I've got no choice but to pull this trigger."

  "I promise I'll let you go,” said Joshua.

  I laughed, and the sound echoed in the corridor. “You promise? Well, I'm sure I can take that to the bank."

  "No, seriously,” said Joshua. “I won't tell anyone. I—"

  "Are you Joshua Wilkins?” I asked.

  Silence.

  "Are you?"

  I felt the face moving up and down a bit, the barrel of my gun shifting slightly in the eye socket as it did so. “Yes."

  "Well, rest in peace,” I said, and then, with relish, added, Josh."

  I pulled the trigger.

  The flash from the gun barrel briefly lit up the female, freckled face, which was showing almost human horror. The revolver snapped back in my hand, then everything was dark again. I had no idea how much damage the bullet would do to the brain. Of course, the artificial chest wasn't rising and falling, but it never had been. And there was nowhere to check for a pulse. I decided I'd better try another shot, just to be sure. I shifted slightly, thinking I'd put this one through the other eye, and—

  And Joshua's arms burst up, pushing me off him. I felt myself go airborne, and was aware of Joshua scrambling to his feet. He scooped up the flashlight, and as he swung it and himself around, it briefly illuminated his face. There was a deep pit where one eye used to be.

  I started to bring the gun up and—

  And Joshua thumbed off the flashlight. The only illumination was a tiny bit of light, far, far down the corridor, spilling out from the torture room; it wasn't enough to let me see Joshua clearly. But I squeezed the trigger, and heard a bullet ricochet—either off some part of Joshua's metal internal skeleton, or off the corridor wall.

  I was the kind of guy who always knew exactly how many bullets he had left: two. I wasn't sure I wanted to fire them both off blindly, but—

  I could hear Joshua moving closer. I fired again. This time, the feminine voice box made a sound between an oomph and the word “ouch,” so I knew I'd hit him.

  One bullet to go.

  I started walking backward—which was no worse than walking forward; I was just as likely to trip either way in this near-total darkness. The body in the shape of Cassandra Wilkins was much smaller than mine—but also, although it shamed the macho me to admit it, much stronger. It could probably grab me by the shoulders and pound my head up into the ceiling, just as I'd pounded hers—and I rather suspect mine wouldn't survive. And if I let it get hold of my arm, it could probably wrench the gun from me; five bullets hadn't been enough to stop the artificial body, but one was all it would take to ice me for good.

  And so I decided it was better to have an empty gun than a gun that could potentially be turned on me. I held the weapon out in front, took my best guess, and squeezed the trigger one last time.

  The revolver barked, and the flare from the muzzle lit the scene, stinging my eyes. The artificial form cried out—I'd hit a spot its sensors felt was worth protecting with a major pain response, I guess. But the being kept moving forward. Part of me thought about turning tail and running—I still had the longer legs, even if I couldn't move them as fast—but another part of me couldn't bring myself to do that. The gun was of no more use, so I threw it aside. It hit the corridor wall, making a banging sound, then fell to the deck plates, producing more clanging as it bounced against them.

  Of course, as soon as I'd thrown the gun away, I rea
lized I'd made a mistake. I knew how many bullets I'd shot, and how many the gun held, but Joshua probably didn't; even an empty gun could be a deterrent if the other person thought it was loaded.

  We were facing each other—but that was all that was certain. Precisely how much distance there was between us I couldn't say. Although running produced loud, echoing footfalls, either of us could have moved a step or two forward or back—or left or right—without the other being aware of it. I was trying not to make any noise, and a transfer could stand perfectly still, and be absolutely quiet, for hours on end.

  I had no idea how badly I'd hurt him. In fact, given that he'd played possum once before, it was possible the sounds of pain were faked, just to make me think he was damaged. My great grandfather said clocks used to make a ticking sound with the passing of each second; I'd never heard such a thing, but I was certainly conscious of time passing in increments as we stood there, each waiting for the other to make a move.

  Suddenly, light exploded in my face. He'd thumbed the flashlight back on, aiming it at what turned out to be a very good guess as to where my eyes were. I was temporarily blinded, but his one remaining mechanical eye responded more efficiently, I guess, because now that he knew exactly where I was, he leapt, propelling himself through the air and knocking me down.

  This time, both hands closed around my neck. I still outmassed Joshua and managed to roll us over, so he was on his back and I was on top. I arched my back and slammed my knee into his balls, hoping he'd release me...

  ...except, of course, he didn't have any balls; he only thought he did. Damn!

  The hands were still closing around my gullet; despite the chill air, I felt myself sweating. But with his hands occupied, mine were free: I pushed my right hand onto his chest—startled by the feeling of artificial breasts there—and probed around until I found the slick, wet hole my first bullet had made. I hooked my right thumb into that hole, pulled sideways, and brought in my left thumb, as well, squeezing it down into the opening, ripping it wider and wider. I thought if I could get at the internal components, I might be able to rip out something crucial. The artificial flesh was soft, and there was a layer of what felt like foam rubber beneath it—and beneath that, I could feel hard metal parts. I tried to get my whole hand in, tried to yank out whatever I could, but I was fading fast. My pulse was thundering so loudly in my ears I couldn't hear anything else, just a thump-thump-thumping, over and over again, the thump-thump-thumping of...

  Of footfalls! Someone was running this way, and—

  And the scene lit up as flashlights came to bear on us.

  "There they are!” said a harsh, mechanical voice that I recognized as belonging to Pickover. “There they are!"

  "NKPD!” shouted another voice I also recognized—a deep, Scottish brogue. “Let Lomax go!"

  Joshua looked up. “Back off!” he shouted—in that female voice. “If you don't, I'll finish him."

  Through blurring vision, I thought I could see Mac hesitating. But then he spoke again. “If you kill him, you'll go down for murder. You don't want that."

  Joshua relaxed his grip a bit—not enough to let me escape, but enough to keep me alive as a hostage, at least a little while longer. I sucked in cold air, but my lungs still felt like they were on fire. In the illumination from the flashlights I could see the improved copy of Cassandra Wilkins's face craning now to look at McCrae. Transfers didn't show as much emotion as biologicals did, but it was clear that Joshua was panicking.

  I was still on top. I thought if I waited until Joshua was distracted, I could yank free of his grip without him snapping my neck. “Let go of him,” Mac said firmly. It was hard to see him; he was the one holding the light source, after all, but I suddenly became aware that he was also holding a large disk. “Release his neck, or I'll deactivate you for sure."

  Joshua practically had to roll his green eyes up into his head to see Mac, standing behind him. “You ever use one of those before?” he said, presumably referring to the disrupter disk. “No, I know you haven't—no transfer has been killed on Mars in weeks, and that technology only just came out. Well, I work in the transference business. I know the disruption isn't instantaneous. Yes, you can kill me—but not before I kill Lomax."

  "You're lying,” said McCrae. He handed his flashlight to Pickover, and brought the disk up in front of him, holding it vertically by its two U-shaped handles. “I've read the specs."

  "Are you willing to take that chance?” asked Joshua.

  I could only arch my neck a bit; it was very hard for me to look up and see Mac, but he seemed to be frowning, and, after a second, he turned partially away. Pickover was standing behind him, and—

  And suddenly an electric whine split the air, and Joshua was convulsing beneath me, and his hands were squeezing my throat even more tightly than before. The whine—a high keening sound—must have been coming from the disrupter. I still had my hands inside Joshua's chest and could feel his whole interior vibrating as his body racked. I yanked my hands out and grabbed onto his arms, pulling with all my might. His hands popped free from my throat, and his whole luscious female form was shaking rapidly. I rolled off him; the artificial body kept convulsing as the keening continued. I gasped for breath and all I could think about for several moments was getting air into me.

  After my head cleared a bit, I looked again at Joshua, who was still convulsing, and then I looked up at Mac, who was banging on the side of the disrupter disk. I realized that, now that he'd activated it, he had no idea how to deactivate it. As I watched, he started to turn it over, presumably hoping there was some control he'd missed on the side he couldn't see—and I realized that if he completed his move, the disk would be aimed backward, in the direction of Pickover. Pickover clearly saw this, too: he was throwing his robot-like arms up, as if to shield his face—not that that could possibly do any good.

  I tried to shout “No!,” but my voice was too raw, and all that came out was a hoarse exhalation of breath, the sound of which was lost beneath the keening. In my peripheral vision, I could see Joshua lying facedown. His vicious spasms stopped as the beam from the disrupter was no longer aimed at him.

  But even though I didn't have any voice left, Pickover did, and his shout of "Don't!" was loud enough to be heard over the electric whine of the disrupter. Mac continued to rotate the disk a few more degrees before he realized what Pickover was referring to. He flipped the disk back around, then continued turning it until the emitter surface was facing straight down. And then he dropped it, and it fell in Martian slo-mo, at last clanking against the deck plates, a counterpoint to the now-muffled electric whine. I hauled myself to my feet and moved over to check on Joshua, while Pickover and Mac hovered over the disk, presumably looking for the off switch.

  There were probably more scientific ways to see if the transferred Joshua was dead, but this one felt right just then: I balanced on one foot, hauled back the other leg, and kicked the son of a bitch in the side of that gorgeous head. The impact was strong enough to spin the whole body through a quarter-turn, but there was no reaction at all from Joshua.

  Suddenly, the keening died, and I heard a self-satisfied "There!" from Mac. I looked over at him, and he looked back at me, caught in the beam from the flashlight Pickover was holding. Mac's bushy orange eyebrows were raised and there was a sheepish grin on his face. “Who'd have thought the off switch had to be pulled out instead of pushed in?"

  I tried to speak, and found that I did have a little voice now. “Thanks for coming by, Mac. I know how you hate to leave the station."

  Mac nodded in Pickover's direction. “Yeah, well, you can thank this guy for putting in the call,” he said. He turned, and faced Pickover full-on. “Just who the hell are you, anyway?"

  I saw Pickover's mouth begin to open in his mechanical head, and a thought rushed through my mind. This Pickover was bootleg. Both the other Pickover and Joshua Wilkins had been correct: such a being shouldn't exist, and had no rights. Indeed, the legal P
ickover would doubtless continue to demand that this version be destroyed; no one wanted an unauthorized copy of himself wandering around.

  Mac was looking away from me, and toward the duplicate of Pickover. And so I made a wide sweeping of my head, left to right, then back again. Pickover apparently saw it, because he closed his mouth before sounds came out, and I spoke, as loudly and clearly as I could in my current condition. “Let me do the introductions,” I said, and I waited for Mac to turn back toward me.

  When he had, I pointed at Mac. “Detective Dougal McCrae,” I said, then I took a deep breath, let it out slowly, and pointed at Pickover, “I'd like you to meet Joshua Wilkins."

  Mac nodded, accepting this. “So you found your man? Congratulations, Alex.” He then looked down at the motionless female body. “Too bad about your wife, Mr. Wilkins."

  Pickover turned to face me, clearly seeking guidance. “It's so sad,” I said quickly. “She was insane, Mac—had been threatening to kill her poor husband Joshua here for weeks. He decided to fake his own death to escape her, but she got wise to it somehow, and hunted him down. I had no choice but to try to stop her."

  As if on cue, Pickover walked over to the dead artificial body, and crouched beside it. “My poor dear wife,” he said, somehow managing to make his mechanical voice sound tender. He lifted his skinless face toward Mac. “This planet does that to people, you know. Makes them go crazy.” He shook his head. “So many dreams dashed."

  Mac looked at me, then at Pickover, then at the artificial body lying on the deck plating, then back at me. “All right, Alex,” he said, nodding slowly. “Good work."

  I tipped my nonexistent hat at him. “Glad to be of help."

  * * *

  I walked into the dark interior of the Bent Chisel, whistling.

  Buttrick was behind the bar, as usual. “You again, Lomax?"

  "The one and only,” I replied cheerfully. That topless waitress I'd slept with a couple of times was standing next to the bar, loading up her tray. I looked at her, and suddenly her name came to me. “Hey, Diana!” I said. “When you get off tonight, how ‘bout you and me go out and paint the town...” I trailed off: the town was already red; the whole damned planet was.